Bu y\u0131l \u201cG\u00f6zler Duyar Kulaklar G\u00f6r\u00fcr\u201d temas\u0131yla d\u00fczenlenen M\u00dcZEDE SAHNE aktifli\u011fi, 22-25 A\u011fustos 2024 tarihleri ortas\u0131nda Sak\u0131p Sabanc\u0131 M\u00fczesi’nde ger\u00e7ekle\u015ftirilecek.<\/p>\n
Sabanc\u0131 Vakf\u0131\u2019n\u0131n dayana\u011f\u0131yla d\u00fczenlenen \u015eov Sanatlar\u0131 G\u00fcnleri, Ay\u015fe Draz\u2019\u0131n sanat direkt\u00f6rl\u00fc\u011f\u00fcnde, farkl\u0131 disiplinleri bir ortaya getirerek, seyircilerin \u00e7e\u015fitli duyular\u0131na hitap eden bir program sunacak.<\/p>\n
\u00a0<\/p>\n
Bu sene bilhassa i\u015fitsel alg\u0131y\u0131 \u00f6n plana \u00e7\u0131karan i\u015flerden olu\u015fan M\u00dcZEDE SAHNE, \u015fov sanatlar\u0131nda farkl\u0131 duyusal tecr\u00fcbelerin birbirine \u00e7eviri edilmesine odaklan\u0131yor. G\u00f6rselli\u011fin i\u00e7indeki m\u00fczi\u011fi ortaya \u00e7\u0131kard\u0131\u011f\u0131 \u00fczere, m\u00fczi\u011fin harekete ge\u00e7irdi\u011fi g\u00f6rselli\u011fi de ortaya koyuyor. Duyular\u0131n derinlemesine deneyimlenmesine imkan tan\u0131yan program, ele ald\u0131\u011f\u0131 temalarla<\/p>\n
\u00a0haf\u0131zan\u0131n zamansal seyahatinde kaybolmaya da davet ediyor.<\/p>\n
Bana Kimse Ne Oldu\u011funu Anlatmad\u0131<\/em>\u00a0oyununda bir m\u00fczede g\u00fcvenlik g\u00f6revlisini canland\u0131rd\u0131\u011f\u0131 Dave rol\u00fcyle 2016 y\u0131l\u0131nda Afife Tiyatro \u00d6d\u00fclleri’nde \u201cY\u0131l\u0131n En Ba\u015far\u0131l\u0131 Erkek Oyuncusu\u201d m\u00fckafat\u0131n\u0131 kazanan \u0130brahim Selim, sanat\u0131n eri\u015filmezli\u011fi ve \u00e7a\u011fda\u015f hayatla olan ironik ilgisini i\u015fleyen ve y\u0131llard\u0131r kapal\u0131 gi\u015fe oynayan bu oyunu birinci sefer bir m\u00fczede sahneleyecek. Bunun yan\u0131 s\u0131ra, ba\u015f rollerinde \u015eerif Erol ve Hasret Zeynep Dinsel\u2019in yer ald\u0131\u011f\u0131, son periyodun d\u00fcnya \u00e7ap\u0131nda en k\u0131ymetli oyunu olarak g\u00f6r\u00fclen, yanl\u0131\u015fs\u0131z ve yanl\u0131\u015f\u0131n, ger\u00e7ekte olan yahut olmayan\u0131n, an\u0131lar\u0131n ve travmalar\u0131n kar\u0131\u015ft\u0131\u011f\u0131 kaygan bir tabanda, ger\u00e7ekli\u011fin tabiat\u0131na dair sorular\u0131 ele alan\u00a0Baba<\/em>, Rumlar ve T\u00fcrklerin bir ortada ya\u015fad\u0131\u011f\u0131 bir adada ge\u00e7en\u00a0Mahallemiz E\u015fraf\u0131ndan<\/em>; birbirleriyle daima kar\u015f\u0131la\u015fan, ge\u00e7i\u015fen, \u00e7arp\u0131\u015fan, lakin birbirlerini ger\u00e7ek manada hi\u00e7bir vakit g\u00f6rmeyen iki ki\u015finin k\u00e2h rahats\u0131z edici bir kakofoni, k\u00e2h b\u00fcy\u00fcleyici bir s\u00fckunet, k\u00e2h bir g\u00fcr\u00fclt\u00fc yuma\u011f\u0131, k\u00e2h bir m\u00fczik olarak alg\u0131lanan performans\u0131\u00a0Ge\u00e7en G\u00fcn,\u00a0<\/em>\u00a0hakikati savunman\u0131n hem zorla\u015ft\u0131\u011f\u0131 hem de elzem oldu\u011fu bir \u00e7a\u011fda insan olman\u0131n gerekliliklerinin sorguland\u0131\u011f\u0131\u00a0Parrhesia 2\u00a0<\/em>ve \u0130stanbul’da ya\u015fayan sanatkarlar\u0131n profesyonel ve \u00f6zel hayatlar\u0131n\u0131n kesi\u015fimine mizahi bir lisanla odaklanan LAK\u0130N oyunlar\u0131 yer al\u0131yor. \u00a0Sessiz Disko<\/em>\u00a0dans aktifli\u011fi, Serkan Aka\u2019n\u0131n etkile\u015fimli ses yerle\u015ftirmesi, ATTA\u2019n\u0131n bebeklere ve \u00e7ocuklara y\u00f6nelik varl\u0131kl\u0131 ve i\u015ftirak\u00e7i oyunlar\u0131, \u00e7ocuklar ve yeti\u015fkinler i\u00e7in\u00a0soundpainting<\/em>\u00a0at\u00f6lyeleri ses dizaync\u0131s\u0131 ve ara\u015ft\u0131rmac\u0131\u00a0Dr. O\u011fuz<\/em>\u00a0\u00d6ner<\/em>\u2019in yere mahsus ses meditasyonu, ses y\u00fcr\u00fcy\u00fc\u015f\u00fc ve ses haritalama antrenmanlar\u0131 de M\u00dcZEDE SAHNE\u2019de izleyicilerle bulu\u015facak.<\/p>\n Kat\u0131l\u0131mc\u0131lara e\u015fsiz ve derinlemesine bir sanatsal tecr\u00fcbe sunacak \u201cG\u00f6zler Duyar Kulaklar G\u00f6r\u00fcr\u201d temal\u0131 M\u00dcZEDE SAHNE\u2019nin biletleri,\u00a0biletinial<\/strong>\u00a0\u00fczerinden temin edilebilir.<\/p>\n Kaynak: (BYZHA) Beyaz Haber Ajans\u0131<\/p>\n","protected":false},"excerpt":{"rendered":" Bu y\u0131l \u201cG\u00f6zler Duyar Kulaklar G\u00f6r\u00fcr\u201d temas\u0131yla d\u00fczenlenen M\u00dcZEDE SAHNE aktifli\u011fi, 22-25 A\u011fustos 2024 tarihleri ortas\u0131nda Sak\u0131p Sabanc\u0131 M\u00fczesi’nde ger\u00e7ekle\u015ftirilecek.<\/p>\n","protected":false},"author":1,"featured_media":1461,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[306],"tags":[723,427,722],"class_list":["post-1460","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-muzede-sahne","tag-sanat","tag-ses"],"_links":{"self":[{"href":"https:\/\/yalovasondakika.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1460"}],"collection":[{"href":"https:\/\/yalovasondakika.com.tr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/yalovasondakika.com.tr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/yalovasondakika.com.tr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/yalovasondakika.com.tr\/index.php\/wp-json\/wp\/v2\/comments?post=1460"}],"version-history":[{"count":1,"href":"https:\/\/yalovasondakika.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1460\/revisions"}],"predecessor-version":[{"id":1462,"href":"https:\/\/yalovasondakika.com.tr\/index.php\/wp-json\/wp\/v2\/posts\/1460\/revisions\/1462"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/yalovasondakika.com.tr\/index.php\/wp-json\/wp\/v2\/media\/1461"}],"wp:attachment":[{"href":"https:\/\/yalovasondakika.com.tr\/index.php\/wp-json\/wp\/v2\/media?parent=1460"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/yalovasondakika.com.tr\/index.php\/wp-json\/wp\/v2\/categories?post=1460"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/yalovasondakika.com.tr\/index.php\/wp-json\/wp\/v2\/tags?post=1460"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}